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A peek inside...

PREFACE...
I
n October 1959, Fidel Castro spoke to the American Society of Travel Agents (ASTA) convention, held that year in the old Blanquita Theater (now the Karl Marx) in Havana. "We have sea," said Castro. 'We have bays, we have beautiful beaches, we have medicinal waters in our hotels, we have mountains, we have game and we have fish in the sea and the rivers, and we have sun. Our people are noble, hospitable, and most important, they hate no one. They love visitors, so much in fact that that our visitors feel completely at home."

Normal relations with the United States still existed back then, and the US ambassador, Philip Bonsai, also lauded Cuban tourism at the ASTA convention: "Cuba is one of the most admirable countries in the world from the point of view of North American tourism and from many other points of view."

Four decades have passed. Nothing has changed but the politics.

Cuba won its independence from Spain at the turn of the century only to be occupied militarily, politically, and economically by the United States. It was an uncertain independence: never fully under the United States' thumb, but never fully out from under it, either, until the Revolution wrote another chapter in Cuban history. Castro & Co. made a beautiful revolution but, alas, spun off into Soviet orbit and got trapped in the Cold War. Four decades later, Cuba and the US remain separated by 90 miles of shimmering ocean churned into a watery no-man's land by political enmity. Today, the Straits of Florida is the widest, deepest moat in the world.

Travelers visiting Cuba today do so at a fascinating historical moment, as Cuba is unwinding from its Marxist coccoon. A new Cuba is emerging. It is extending its hand to the rest of the world and inviting us to visit. Four decades after Cuba closed its doors to outsiders, tourism is booming again.

Sadly, the US government isn't listening, although an increasing number of US citizens are circumventing the travel restrictions by entering Cuba through Canada, Mexico, or Caribbean nations (... or on any of dozens of organized tours that permit virtually any US citizen to travel to Cuba legally!). It's remarkably easy to do. Cubans play their part by abstaining from stamping passports, so Uncle Sam need never know. Most yanquis harbor the misimpression that it's illegal for US citizens to visit Cuba. It's not; it's merely illegal to spend dollars there. In any event. no US tourist has ever been prosecuted merely for visiting Cuba.

Cuba is made for tropical tourism: the diamond-dust beaches and bathtub-warm seas the colors of peacock feathers... the bottle-green mountains and jade valleys full of dramatic formations... the ancient cities, especially Havana and Trinidad, with their flower-bedecked balconies, rococo churches, and elegant plazas... and, above all, the sultriness and spontaneity of a country called "the most emotionally involving in the Western hemisphere."

The country is blessed with possibility. Divers are already delirious over Cuba's wealth of deep-sea treasures. Sportfishing is also relatively advanced, with several dedicated resorts and far more fish than fishhooks. Laguna del Tesoro, part of the swampy Zapata Peninsula National Park, is one of several premier bird-watching areas. There are crocodiles, too, lurking leery-eyed in well-preserved Everglades. Horseback riding options abound. Spa and health tourism is booming. Cuba is being eyed as a prime destination for bicycle and motorcycle touring. And hikers can head for the Sierra del Rosario or tread trails trod by Che Guevara and Fidel Castro in the Sierra Maestra.

Cuba's greatest, most enigmatic appeal is that traveling through it you sense you are living inside an unfolding drama. Cuba is still intoxicating, still laced with the sharp edges that made Federico Garcia Lorca, the Spanish poet, write to his parents, "If I get lost, look for me in Cuba," and that made Ernest Hemingway want to "stay here for ever."

Set foot one time in Havana and you can only flee or succumb to its enigmatic allure. It is impossible to resist the city's mysteries and contradictions. Walking Havana's streets you sense you are living inside a romantic thriller. You don't want to sleep for fear of missing a vital experience. Before the Revolution, Havana had a reputation as a place of intrigue and tawdry romance. The whiff of conspiracy, the intimation of liaison, is still in the air.

Your first reaction is of being caught in an eerie colonial-cum-1950s time warp. Fading signs evoke the decadent decades when Cuba was a virtual colony of the United States. High-finned, chrome-spangled dowagers from the heyday of Detroit are everywhere, conjuring images of dark-eyed temptresses and men in Panama hats and white linen suits. Havana, now Communist but still carnal, is peopled in fact as in fiction by characters from the novels of Ernest Hemingway and Graham Greene. All the glamor of an abandoned stage set is here, patinated by age. For foreign visitors it is heady stuff.

Thirty-odd years of US propaganda and negative media reports have led many visitors to expect the worst--a fossilized shell of a country with a population cowed and sullen, their lips glued shut by fear. Yet those who simply point out Cuba's negatives--the inept bureaucracy, the shortages, themuffled press--do not see the smiling children, or notice the

educated youths eager to dissect Voltaire or challenge you to a game of chess. Cuba rightly brags about its educational network and its health system, which provides free care for everyone and has reduced infant mortality and raised the life expectancy to a par with developed nations. And after several decades of not being caught up in the monied economy, there is a distinct lack of hype, an environment in which success is not measured by the level of consumption (although this is changing). Cubans can still take ample pleasure in rocking on a veranda watching laughing children chase a hoop down a dusty street. Even the young retain fond memories of days before the Soviet Union collapsed, when Cubans had become accustomed to a quality of life that has only recently been pulled from under their feet.

Nonetheless, today there is general agreement that things have gone terribly wrong and the future is full of uncertainty. The current crisis is severely testing the Cubans' faith in human cooperation, a situation exarcerbated by the tourism boom, which has hallmarks of a Faustian bargain...

To the international visitor, the frustrations of life for the average Cuban need be no more than a slight inconvenience. Tourists are free to go wherever they wish, and there are few visible hallmarks of a totalitarian system.

And yet the "real" Cuba isn't easy to fathom. The casual visitor is easily beguiled. Tourists riding in comfortable Toyota minivans may wind up with little more than a canned experience of the country. An open-minded visitor is torn two ways: Cuba is both disheartening and uplifting. You'll most probably fall in love with the country, while being thankful that you don't have to live in it.

After all, you don't have to respect a government to fall in love with a country or its people.

Cubans relish a passion for pleasure despite (or because of) their hardships. Salsa and irresistible rumbas pulse through the streets, and throngs of people congregate at nightclubs and cabarets, including the Tropicana, the open-air extravaganza--girls! girls! girls!--now in its sixth decade of stiletto-heeled paganism. Cubans you have met only moments previously may invite you into their homes, where rum and beer are passed around and you are lured to dance by narcotic rhythms. How often have I been carried away, laughing, flirting, dancing as it were with the enemy? It is hard to believe that the US government's Trading With The Enemy Act is directed at these compellingly warm-hearted people.

Everywhere Cubans embrace and welcome you into their arms. Everything touches your heart. You come away feeling like one of my friends, who on her first visit to Cuba began dancing uncontrollably in a casa de la trova. The Cubans formed a line and, "like a diplomat," took her hand, kissed her cheek. As I set out to write this book, she implored me: "Chris, bring your genuine feeling into your pages. Breathe the innocence and beauty of Cuba without castrating Castro and his revolution."

Ernest Hemingway, who loved Cuba and lived there for the better part of 20 years, once warned novice writer Arnold Samuelson against "a tendency to condemn before you completely understand. You aren't God, and you never judge a man," Hemingway said. "You present him as he is and you let the reader judge."

Enjoy!

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SIDEBAR: Ernest Hemingway...

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Ernest Hemingway first set out from Key West to wrestle marlin in the wide streaming currents off the Cuban coast in April 1932. Years later, he was to sail to and fro on the Key West-Havana route dozens of times. The blue waters of the Gulf Stream, chock-full of billfish, brought him closer and closer until eventually, "succumbing to the other charms of Cuba, different from and more difficult to explain than the big fish in September," he settled on this irresistibly charismatic island.

Hemingway loved Cuba and lived there for the better part of 20 years. It was more alluring, more fulfilling, than Venice, Sun Valley, or the green hills of Africa. Once, when Hemingway, was away from Cuba, he was asked what he worried about in his sleep. "My house in Cuba," he replied, referring to Finca Vigia, in the suburb of San Francisco de Paula, 15 kilometers southeast of Havana.

At first it was the fighting--and the women--that brought Hemingway back to Cuba. When his wife was absent, Hemingway did his best to keep up his bad-boy reputation for booze and broads.

The Cult of Hemingway
H
avana's city fathers have leased Papa's spirit to lend ambience to and put a polish on his favorite haunts. Havana's marina is named for the prize-winning novelist. Hemingway's room in the Hotel Ambos Mundos, and Finca Vigia, are preserved as museums. And plans are even underway for a "Friends of Hemingway" club for tourists.

Yet the cult of Hemingway is very real. Cubans worship him with an intensity not far short of that accorded Che Guevara and nationalist hero Jose Marti. The novelist's works are required reading in Cuban schools. His books are best-sellers. "We admire Hemingway because he understood the Cuban people. He supported us," a friend told me. The Cuban understanding of Hemingway's "Cuba novels" is that they support a core tenet of Communist ideology--that humans are only fulfilled acting in a 'socialist' context for a moral purpose, not individualistically.

"All the works of Hemingway are a defense of human rights," claims Fidel, who knows Papa's novels "in depth" and once claimed that For Whom The Bell Tolls, Hemingway's fictional account of the Spanish Civil War, had inspired his guerrilla tactics. Fidel has said that the reason he admires Hemingway so much is that he envies him the adventures he had. In July 1961, after Hemingway's death, his widow, Mary Welsh, returned to Finca Vigia to collect some items she wanted. Fidel came to visit. Recalls Welsh: Fidel "headed for Ernest's chair and was seating himself when I murmured that it was my husband's favorite. The Prime Minister raised himself up, slightly abashed."

The two headstrong fellows met only once, during the Tenth Annual Ernest Hemingway Billfish Tournament in May 1960. As sponsor and judge of the competition, Hemingway invited Cuba's youthful new leader as his guest of honor. Fidel was to present the winner's trophy; instead, he hooked the biggest marlin and won the prize for himself. Hemingway surrendered the trophy to a beaming Fidel. They would never meet again. One year later, the great writer committed suicide in Idaho.
 

Papa and the Revolution
T
here has been a great deal of speculation about Hemignway's position toward the Cuban Revolution. Cuba, of course, attempts to portray him as sympathetic.

Hemingway's Cuban novels are full of images of prerevolutionary terror and destitution. "There is an absolutely murderous tyranny that extends over every little village in the country," he wrote in Islands in the Stream. "I believe completely in the historical necessity of the Cuban revolution," he wrote a friend in 1960. Papa was away from Cuba all of 1959, but he returned in 1960, recorded New York Times correspondent Herbert Matthews, "to show his sympathy and support for the Castro Revolution." Papa even used his legendary 38-foot sportfishing boat, the Pilar , to run arms for the rebel army claims Gregorio Fuentes, the weatherbeaten sailor-guardian of the Pilar for 23 years. In his will, the great author dedicated his home and possessions--including his Nobel prize--to the Cuban state, but the Pilar he left to Fuentes.

Hemingway's widow, Mary, told the journalist Luis Baez that "Hemingway was always in favor of the Revolution," and another writer, Lisandro Otero, records Hemingway as saying, "Had I been a few years younger, I would have climbed the Sierra Maestra with Fidel Castro." The truth of these comments, alas, can't be validated. But Hemingway's enigmatic farewell comment as he departed the island in 1960 is illuminating. "Vamos a ganar. Nosotros los cubanos vamos a ganar. [We are going to win. We Cubans are going to win.] I'm not a Yankee, you know." What would he have made of the outcome?

 

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